816
郑又菲,曾沛慈,陈博正,郭大睿,田中千绘,范逸臣,黄之诺,夏宇童,周厚安,谢以乐,曾珮瑜,黄镫辉,于卉乔,黄采仪,王梦麟,滕韦煦,李佳豫,赖铭伟,马志翔,廖慧珍,郑人硕
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- 同分类
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暴雪将至
段奕宏,江一燕,杜源,郑伟,郑楚一,张林
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爱丽丝梦游仙境
米娅·华希科沃斯卡,约翰尼·德普,海伦娜·伯翰·卡特,安妮·海瑟薇,克里斯平·格洛弗,马特·卢卡斯,斯蒂芬·弗雷,麦克·辛,艾伦·瑞克曼,克里斯托弗·李
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叛我更幸福
giovanna , lancellotti , bruno , montaleone , 莱昂德罗·利玛
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火2025
Sakshi Agarwal,Suresh Chakravarthi,Rachitha Mahalakshmi,Balaji Murugadoss,Gayathri Shan,辛加姆普利,Chandini Tamilarasan
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TC
大风杀
白客,辛柏青,郎月婷,耿乐,孙宁,李晓川,张本煜,卓杰泽仁,李浩天,桑茗胜,李感,李延,薛旭春,萨布,杨帆,李思博,王艺禅,王一通,李蔓瑄
剧情介绍
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what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.
and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).
unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.
but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.
go innocently.